Dee is a lot more scared than she is in later strips. Perhaps parental separation anxiety was more acute back then. Hrm.
I like how the flapping feather in the last panel came out. It took a few sketches to get that down.
The last two panels of this strip are two of my favorites. The expression, the sentiment, everything. Heck, Ted’s expression in the first panel is lovely too.
My, but Dee is strong in panel #3.
I liked playing with this concept, that to make someone bug off, you participate with them (unwittingly to them) to build their deliverance. :)
She totally looks like a muppet, to me, in the third panel (and I openly admit that the Muppets have been a big influence on me).
This strip came from the idea that something coming back like a swing actually is a complex concept and requires some foresight. Blake was the obvious choice. :)
This strip easily could’ve been Vachel/Dee as a rose/botanist, bunny/taxidermist, kitten/bulldog, candy/young child, etc etc. Pick something cute and harmless and find what hunts it.
But I think the net makes this choice the best. :)
“see ya, toots.”
snort.
Also, that’s the problem with taking on others emotions, when the “others” emotions change you’re kinda at a loss. :)
My favorite part of this strip was coming up with things a kid would promise to do, to convince a parent to let the kid keep an alligator.
This strip also begins the ongoing tension between the alligator and Blake.
The idea for this came to me when I was thinking about how kids like to bring pets home (though usually, fortunately, they’re small things like caterpillars). Alligators seemed more Dee’s speed.
And I never stopped being amused by the blurred line of animals and sapient animals. The Alligator is merely an animal, until Ted addresses him in the last panel.













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